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The Independent Critic

STARRING
Kevin Machate, Beth Shea, Barry Corbin
DIRECTED BY
Kevin Machate, Ammie Masterson
SCREENPLAY
Kevin Machate, Todd Rodgers
RUNNING TIME
23 Mins.
OFFICIAL IMDB

 Movie Review: Worst Enemy 
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Shane Snyder (Kevin Machate) isn't the kind of guy for whom you instantly feel empathy. 

He's gruff. He's more than a little disheveled. You can't help but feel like he's been drinking even if you're not seeing him drink. He's more than a little bit of a loner, slow to open up and even slower to trust. 

Worst Enemy, a 23-minute dramatic short getting ready to start its fest journey in early 2026, is Shane's story. It's also a story bigger than Shane. 

Raw and uncompromising and radically truthful, Worst Enemy centers itself around Shane - a Veteran struggling with undiagnosed mental health issues, alcoholism, and increasingly disruptive self-destructive tendencies. He's a good guy, or so it seems, in a bad situation. After receiving the devastating diagnoses of Major Depressive Disorder and Borderline Personality Disorder, the disparate parts of Shane's life start to connect, at least loosely, as he begins to confront the emotional abuse that shaped him and the only person, cousin Ashley (Beth Shea), who has ever seemed to get him on any meaningful level. 

Perhaps, one could say, she's also the only one who's ever really tried. 

Worst Enemy isn't necessarily the kind of film you "want" to see, though I'd dare say that it's vital you do. With a handful of awards already received for its unflinching script co-penned by Kevin Machate with Todd Rodgers, Worst Enemy is the kind of film destined to inspire important conversations and communal dialogue. 

I stand by what I said. Shane isn't the kind of guy you're instantly drawn to and that's part of the problem. Far too often, we look away and fail to see those around us who are struggling even when we get the opportunity to do so. Worst Enemy explores themes like toxic masculinity, mental health, systemic neglect and abuse, familial cycles, and others. Somehow, despite its dramatic narrative Worst Enemy avoids histrionics in favor of simple, straightforward honesty. As Shane, Machate introspective and heartbreaking performance is even more profound precisely because we can feel just how much is bubbling underneath the surface of his words and silences. 

While the narrative lens is focused on Shane, Beth Shea is remarkable as Ashley, the cousin with seemingly nothing but positive childhood memories of Shane and whose affection for him never seems to waver no matter where the story takes us. We all need someone who believes in us, though we also know that sometimes even having that isn't quite enough. Shea's performance, especially in the film's closing moments, is aching with resignation and vulnerability and so much more. 

The opposite end of that spectrum is the always reliable Barry Corbin's brief but vital turn here as Shane's father Jim, a Veteran himself but a man who oozes toxicity and is uncompromising with it. It's a hard performance equally enraging and sad and a million other emotions. 

Worst Enemy features cameos by legendary character actor Richard Riehle along with Keegan Michael Key. While this kind of casting can work against a film, especially a film possessing such dramatic force, it works here within the context of the story. 

The film is co-directed by Machate with Ammie Masterson, the latter having a meaningful appearance as Dr. Tucker. 

Lensing by D.P. Kelly Riot with additional camera work by Ryan Dowling is observational, intimate, and incredibly effective. 

I'd love to go into the story with you here, however, that's something you'd best experience for yourself. Worst Enemy is, I will say, bold and courageous in its storytelling and in the ways that story is brought so vividly to life. Destined to be fiercely popular on the indie fest circuit, Worst Enemy is a dramatic short you'll want to see for yourself if you get the chance and you'd be wise to keep your eyes open for it come the 2026 awards season. 

Written by Richard Propes
The Independent Critic