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The Independent Critic

 2012 Heartland Film Festival: A-Z Reviews, Vol. 18 
The Magical Wishing Washing Machine (15 Mins., Narrative Short)
The Magical Wishing Washing Machine (15 Mins., Narrative Short)

Starring: Amory Iverson, Victor Medina and Clara Susan Morey II; Directed by: Noah Sunday: Written by: Brigham Sunday;

Another of the 2012 Heartland Film Festival's more whimsical shorts, The Magical Wishing Washing Machine is the delightful tale of Mr. Torres (Victor Medina), who has a laundromat crush on Rosie (Amory Iverson) but not the guts to own up to it... until a little magic gets involved and he suddenly finds the courage he's never had.

The Magical Wishing Washing Machine is certainly a whimsical and funny entry into this year's festival, that may not change the world but it sure will put a smile on your face.

Mr. Bellpond (20 Mins., Narrative Short)

Starring: Geoff Hansen, Demitria Cline; Directed by: A. Todd Smith; Written by: A. Todd Smith and Amy Nelson Smith;

In Mr. Bellpond, a playwright (Geoff Hansen) is consumed with melancholy after his wife (Demitria Cline) disappears. He locks himself away for 23.7 years until receiving a mysterious letter claiming to know her whereabouts. However, to receive this information he must create a new masterpiece within a three week time period.

This 20-minute narrative short directed by A. Todd Smith is a hit-and-miss affair. When it hits, it's absolutely wonderful but, in occasional moments it really, really misses. The film did play well with the documentary Caris' Peace, infusing the block with a heartfelt intensity that carried over Caris' Peace quite nicely.

    The 50/50 x 2020 Pledge

    The Independent Critic is proud to support Indy-based Heartland Film by committing to the 50/50 x 2020 Pledge - By the end of the year 2020, The Independent Critic will achieve gender parity in its reviews of both shorts and feature films. Furthermore, The Independent Critic also pledges support for the Ruderman Family Foundation's call for authentic representation of people with disabilities in film and actively commits to leverage its journalistic influence to effect genuine change in the film industry by calling for and actively promoting authentic and inclusive casting and hiring of people with disabilities.

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