Caitlyn Geiler, Kristina Rea DIRECTED BY
Alexis Ramirez SCREENPLAY
Brennan Scott RUNNING TIME
8 Mins. OFFICIAL IMDB
"Out of Boredom" a Fun Way to Kill a Saturday
Stacy (Caitlyn Geiler) is having one of those lazy Saturdays that is so lazy it's driving her out of her mind. When she starts wandering her way through her kitchen, a momentary distraction with a box of sweets turns into a satisfying conversation with their customer service hotline.
One good call deserves another. Suddenly, Stacy's lazy Saturday turns into one of the best Saturdays ever in director Alexis Ramirez's amusing eight-minute comedy short Out of Boredom. The recently completed microcinema short is a terrific example of what you can do on an incredibly low budget, reported as less than $100, if you tell a decent enough story and have the talent to pull it off.
Fortunately, that's all true here.
While Out of Boredom takes a tad too long to really get going, Caitlyn Geiler is never less than a joy to watch and once she finds herself on the phone the film really comes to life. In only her second film credit, Geiler's clearly having a good time and that good time transfers to the audience quite nicely. She has a natural snarkiness about her, a fact that made me chuckle even more once I learned that Out of Boredom was filmed in the Bronx.
There isn't a whole lot more to Out of Boredom, a quick and breezy short film that aims for a few laughs and for the most part hits its target. The film should be a prime candidate for the indie and microcinema fest circuit and it's worth checking out if you get the chance.
Written by Richard Propes
The Independent Critic
The 50/50 x 2020 Pledge
The Independent Critic is proud to support Indy-based Heartland Film by committing to the 50/50 x 2020 Pledge - By the end of the year 2020, The Independent Critic will achieve gender parity in its reviews of both shorts and feature films. Furthermore, The Independent Critic also pledges support for the Ruderman Family Foundation's call for authentic representation of people with disabilities in film and actively commits to leverage its journalistic influence to effect genuine change in the film industry by calling for and actively promoting authentic and inclusive casting and hiring of people with disabilities.