Michael Caine, Mickey Rooney, Lionel Stander, Lizabeth Scott, Nadia Cassini, Dennis Price, Al Lettieri, Leopoldo Trieste, Amerigo Tot, Roberto Sacchi, Giulio Donnini, Joe Zammit Cordina, Luciano Pigozzi WRITTEN AND DIRECTED BY
Mike Hodges MPAA RATING
Rated PG RUNNING TIME
108 Mins. DISTRIBUTED BY
Arrow Films OFFICIAL WEBSITE
"Pulp" Gets Blu-ray Release with Arrow Films
At first glance, Pulp might seem to be an odd way for writer/director Mike Hodges and actor Michael Caine to follow up their overwhelming success with 1971's Get Carter. Pulp sort of reverses Caine's role, more target than the one targeted, and lacks the coolness Get Carter and replaces it with a darker, at times more comical presentation the proved a little more challenging for audiences when it was first released than would be true now given one's ability to watch the film without the baggage of having watched Get Carter first. While Get Carter was a runaway success, Pulp was a box-office flop when first released. It's a film that has attracted a bit of a cult following in recent years as a fresher audience seems to be more in touch with what Hodges was going for and what Caine delivered quite well.
In the film, Caine plays a writer of pulp who flees the family life in favor of a Meditteranean existence where he aspires to a life of success and sex, neither of which he seems to find in abundance. He finds a gig ghostwriting the exploits of a genuine Hollywood tough guy played by Mickey Rooney, a gig that soon enough finds both he and Rooney defending themselves from mob heavies who don't take kindly to having their secrets revealed.
George Martin contributes the film's score, a spry and energetic composition that doesn't really fit with the story but stands on its own quite nicely. The tone here is vastly different from Get Carter, at times immensely unsatisfying yet seemingly intentional in a way that isn't always easy to understand. While it's a tad cliche' to say, Pulp feels like it has a place within Hollywood's history of misunderstood films and deserves much greater acclaim than it ever really received. Kudos to the fine folks at Arrow Films for presenting the film here in a mighty fine, high quality package that gives the film the love it always has deserved.
Brand new 2K restoration from original film elements, supervised and approved by director of photography Ousama Rawi, produced by Arrow Films exclusively for this release
High Definition Blu-ray (1080p) presentation
Original 1.0 mono sound
Optional English subtitles for the deaf and hard-of-hearing
Brand-new interview with writer-director Mike Hodges
Brand-new interview with director of photography Ousama Rawi
Brand-new interview with assistant director John Glen
Brand-new interview with Tony Klinger, son of producer Michael Klinger
Original theatrical trailer
Reversible sleeve featuring original and newly commissioned artwork by Nathanael Marsh
FIRST PRESSING ONLY: Collector’s booklet containing new writing by Alexandra Heller-Nicholas
The Independent Critic is proud to support Indy-based Heartland Film by committing to the 50/50 x 2020 Pledge - By the end of the year 2020, The Independent Critic will achieve gender parity in its reviews of both shorts and feature films. Furthermore, The Independent Critic also pledges support for the Ruderman Family Foundation's call for authentic representation of people with disabilities in film and actively commits to leverage its journalistic influence to effect genuine change in the film industry by calling for and actively promoting authentic and inclusive casting and hiring of people with disabilities.