Skip to main content
#
The Independent Critic

Written and Directed by
Grezegorz Cisiecki
Starring
Grezegorz Golaszewski,  Katarzyna Dalek, Hubert Jarczak
Running Time
7:05
Country of Origin
Poland

 "Smoke" Review 
Facebook
Twitter
Reddit
LinkedIn
Pinterest
MySpace
Add to favorites
Email
It's always an extraordinary experience to view a film that trusts its vision enough to allow audiences to figure out the story. This 7-minute short from Polish writer/director Grezegorz Cisiecki is such a film.

To call Smoke a surrealistic film is a bit of an understatement, for Cisiecki has enveloped the film in images, sounds and ideas that will twist the senses and attract your complete attention. A "bad" surrealistic film does so pretentiously and with no real sense of purpose whatsoever, but a "good" surrealistic film, and this is a good one, does so in such a way that the story and the images and the sounds begin to form meaning and purpose within the viewer's mind.  As Cisiecki's cinematic experience was flowing across the screen, my mind begin filling in the gaps in story, dialogue and meaning in a way that made sense for me.

There are pieces, homages really, present in Smoke to Lynch, Kubrick, Argento and others contained within the film. Some of you will "get" them, some of you will find yourselves watching this short and going "What the F***?" Both responses are appropriate, as is virtually any response when watching a film this surreal.

The performances are presented non-verbally, a wise choice on the part of Cisiecki that heightens the surrealism and drives home a sense of suspense and wonder about the film. The ensemble cast pulls it off admirably, communicating wonders with body language and facial expression that speaks without words.

D.P. Dawid Rymar lenses the film beautifully, creating mystery and mystique when appropriate with ever so brief moments of lucidity. The original composition by Aleksandr Porach and Rashid Brocca is played to perfection in a way both expressive and elusive in meaning. Maciej Bieganski's production design nicely captures what feels like the film's spiritual undertones contained within its sensuality.

Smoke has played throughout Europe, and given its recent conversion to an English title it may be that Cisiecki is targeting American releases at this point. Indeed, this SHOULD occur as this experimental and surreal short film would be quite popular on the indie and experimental film fest scene.
    our twitterour facebook page pintrestlinkdin

    The Independent Critic © 2008 - 2021